Writing is a very solitary experience isn't it? You might have an idea, discuss it with your partner or friends, chuck ideas around and so on – but when it comes to getting it down, you're on your own. Obviously, you have to be on your own, you have to zone out the 'noise'. And then, of course, when it's done (however many drafts later), you have to take a big, deep breath and let it loose on the world. If you really want to be published, you have to send it off, and steel that piece of work to take whatever comes at it right on the chin.

Part of the reason for this post is some of the lovely comments I have received on previous ones, from people who are also writing – finding time between hectic lives, focusing, and taking those deep breaths. It's amazing to be told that what happened with Squishy is inspiring other people to write (and to enter the Greenhouse Funny Prize – three months left people!).

Towards the end of last year, something happened which made my own writing experience a bit less solitary. Yes, the work is still done alone, but now I – and a few others – have a litmus test to use between drafts. We set up an online writing group.

On the very day that I finished the extended version of Squishy McFluff, The Invisible Cat (that's it, right there on my laptop) I had a message on Twitter from Lech Mintowt-Czyz. His rhyming story My Favourite Toy is Bogey had been shortlisted in the Funny Prize, and having reworked it, he asked if I would cast an eye over it and let him know what I thought, particularly of the scansion.

Now, believe me, all that had happened with Squishy did not make me feel like an expert on anyone else's work, far from it. But I was pleased to look at it and fascinated to read a story from someone who'd done so well in the competition. I gave my two penneth, with the proviso that he should ignore anything he didn't agree with.

After that, Lech and I continued chatting on email and when he realised we lived fairly close, he made the suggestion that we could set up a group in the local area, and meet other people who were writing.

That's what made me realise I sort of had a group already – it just hadn't been stitched together. Even before winning the Funny Prize, I had been sharing Squishy McFluff with some other friends who were writing for children, and they in turn had asked me to look at what they had done. But it was just me, emailing them separately. All I had to do was e-introduce them to each other.

So that's what I did. And it's ace.

There are five of us, which I think is just about perfect. Too many voices and opinions could be confusing – but having more than one person's opinion can open your eyes to things you have never considered.

We all of us write in rhyme – in quite different ways I think. But that's invaluable, because one of the hardest things to nail when you write in verse is perfect scansion. How you read a line in your head might not be how someone else reads it in theirs and having comments from people you know are capable of excellent scansion themselves helps massively in ironing out the bumps.

So we chuck in our ideas for new stories, we read each other's completed work (and redrafts), and we say what we think, with honesty. 

There is one rule: no-one else's opinion is more important than our own. 

Because we are only offering opinions – we're not experts, we're not agents or publishers and nothing any of us say about someone else's work is right or wrong. I know there were people who thought Squishy McFluff wouldn't ever be published – but I stuck to my guns with it, because I passionately believed in that little character (and in the rhyme).

There would be no point in us doing this if we became downtrodden when someone thought parts of a story (or even an idea) weren't working. If we did how would we ever be brave enough to send it out to the important people? We either take the comments on board and rework, or we disagree and leave it alone. 

It's a buffer zone, a forum, and it's inspiring. On an average working Tuesday, there's no sight more cheery than one of my fellow writers' names in my inbox, especially when they have something new to show.

I know there are forums out there which offer everyone the chance to share their work and ideas – do you use them? I think what has worked well for the five of us is that we are all doing similar things. It's a closed group, we all like what the others have written, and so that makes everyone's thoughts valid and worth considering (even if we ignore them in the end). It's also a group we can have faith in – unlike showing what you've written to your mum, or your partner, whose response you might expect to be tinged with bias, we have no reason to be anything other than honest (gently honest, naturally!). 

While I'm the one in the very fortunate position of having an agent (I love Julia, read a Q&A with her below) who I can chat to about ideas and ask for advice, I value the opportunity to try things out first on my buddies (Squishy ideas and texts included).

It can be scary taking the deep breath and sending your work out to be judged. I really hope that, for everyone, having a practice run with people who count – but don't count THAT much – makes hitting the 'send' button for real a bit less daunting.

Now, it's ever so early to be writing blog posts, so I am off for a coffee. But do tell me how you share your work and test it out, I'd love to know.

'Til next time…



04/26/2013 3:45am

I've never been in a critique group, mainly because I only ever seem to find out about them after they've been closed to new members! Not that I'm bitter and twisted or anything...And I don't show what I write to my husband, as he's just not into children's books in the way I am. I'll often read what I write to my children, but sometimes they just looked bemused - after all, a picture book with no pictures (and where the pictures carry part of the story) doesn't really work. Luckily I have a lovely agent, and she has lovely assistants, and together they're extremely good (and often brutally honest!) critics.


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    Pip Jones

    A mother, a writer, now an author… a sort of insanity inspired my children's books. Let's hope I remain insane.


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